This audio is part of the collection: Sunyatha Records (Netlabel):
various18.bandcamp.com
www.facebook.com/sunyatharecords
soundcloud.com/sunyatharecords/sets
............................

About the split:

Event held on July 28 2019 at Studio V8 presents with
the bands Color for Shane, Obasquiat trio and Lanche.
This bootleg represents a new scene formed in the city of São Paulo showing the distinct sides of each project ranging from Indie rock to experimental.
And these guys are willing to crack our shit with a quality experimental psychedelic sound, providing that nice and mind-blowing afternoon!
.
.
Color for Shane:
Is a duo of São Paulo ABC formed by Rafael Pires (guitar and voice) and Henrique Gonzalez (Drums).
"Oops!" and "Surface" and "Not an Embryo" are the band's three studio albums.
The songs float through stoner and post punk with a touch of garage LOFI.

colorforshane.bandcamp.com/music
www.facebook.com/pg/colorforshane
colorforshane.wixsite.com/colorforshane
soundcloud.com/color-for-shane
.
.
Obasquiat trio:
What is Obasquiat?
Something that does not admit gender identity.
Pagan because it is against all religions.
São Paulo is a world within our own country, and there are hidden (or found, depending on the chosen framework) musicians with the courage and talent to plunge into this environment for many of us unknown. One such case is the Paulistas of the Obasquiat trio, a group formed by Jeferson Peres, Jeff Dias, Marco Antonio and guests, who seek in the magical strength of John Coltrane and Rashied Ali and their free jazz the essential part of an art that is not scared of. Add elements of Afro-Brazilian music, noise, funk, and alternative rock to create songs that can represent a wide, magical, and atypical universe.
Prolifics, they have placed eight “children” in the world in the last five years. "Pertussis" (2015), "The Future is Black - past and present also" (2016), "# Mœbius" (2017), "Strugatsky" (2018), "Party in Parte" Ep (2018), "#Drops "(2019)," Index Librorum Prohibitorum "(2019) and" Smelly Mondays "(2019) the most recent.
With very well-defined identities, each album presents a cut-out of a kind of study of the possibilities of music, seeking and following a path greater than simply a craving for virtuosity.
The Obasquiat trio takes advantage of the lack of rigor afforded by the improvisation of free jazz and makes it the aesthetic that embraces and takes care of all its essentially dreamlike, fundamentally vibrant works. If there are those who consider the group's result only noise (which, I believe, does not offend the artists at all), there are those who can see obvious poetry in the rusticity of the band's records. As a communication tool, the premise is always that the message also depends a lot on its recipient.
With a little foot also on post-rock, as much as it is an almost instrumental work, the Obasquiat trio puts jazz in a pendulum that finds itself and is tamed by ambient, doom and psychedelia, encapsulating the range of the bass that is very well. an instrument that tends to be left in the background.

obasquiatofficial.bandcamp.com
www.facebook.com/Obasquiat
www.instagram.com/obasquiat_official/
www.youtube.com/channel/UC1Z5EcJDvzng9wVVLrS8gKA
.
.
Lanche:
When the trio of friends Boso, Jeff, and Xuoz accidentally come across the magical object called the Human Diploma, they acquire incredible procrastinating powers and embark on a perilous journey against Worlds-eater Adult Life.

Embark on this growing story full of adventure, mystery, romance, little money, plagiarism and annoying microphones!

lanche.bandcamp.com/releases